Narrative Mortality: Death, Closure, and New Wave Cinemas

aesthetic allegory American anxiety apocalyptic auteur Bardot Bazin becomes body Bonnie and Clyde Cahiers du Cinéma camera characters cinema cinematic representation closure crisis critical critique Cruel Story culture dead desire dialectic difference discourse documentary excess Ferdinand fiction film noir film's filmmaking final Fritz Fritz Lang Garrett gaze genre German Tragic Drama Godard Hollywood ideological Japan Japanese Lang's Le Mépris Lightning Over Water means melodrama Mépris mise-en-scène modern mortification myth mythic narra narrative mortality Nashville Nick Origins of German Oshima's photographic Pierrot le fou pleasure politics postmodern potential radical rative Ray's realism reality Reasonable Doubt redemption repetition repre representation of death represented ritual romantic ruins scene screen sense sexual shot signifier social spectacle spectator storytelling strategy structure temporal textual theory tion trans transcendence uncanny University Press utopian viewer violence vision Walter Benjamin Wenders Wenders's Wild at Heart Wild Bunch Wim Wenders York