Browning's Dramatic Monologues and the Post-romantic Subject

abstract alienation Andrea answer appears becomes beginning Browning Browning's called century chapter Childe communication complete concept continuity contradiction conventions course create critics described desire discourse distinction dramatic monologue dream effect example exchange exist experience expression fact finally fragment genre give human ideology imagination implied important individual interpretation kind language lines linguistic Lippo literary lives logic look Marx Marxism material meaning metaphor mind nature never once painting particular passage past person phrase Pictor poem poet poetic poetry possible present Press production progressive question reader reality reciprocity reference relation remains represents Roland Romantic seems sense sentence Shelley Shelley's signified social sonnet speak speaker speech structure symbolic temporal things thou thought tion turn understand University Victorian voice whole writing