Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - Počet stran: 235 |
Vyhledávání v knize
Výsledky 1-3 z 25
Strana 69
... happy ending solely so as not to contradict history , but that by the postponement and other devices he made the ... happy ending — as who does not ? 2. TRAGICOMEDY That the Academy was not antagonistic to happy endings in general is ...
... happy ending solely so as not to contradict history , but that by the postponement and other devices he made the ... happy ending — as who does not ? 2. TRAGICOMEDY That the Academy was not antagonistic to happy endings in general is ...
Strana 72
... happy issue among the possible endings of tragedy ' . Yet Sarasin - who had lavished praise on the play because of its rigid adherence to Aristotle's ' Rules ' - carefully avoids mentioning that Aristotle specifically condemns the happy ...
... happy issue among the possible endings of tragedy ' . Yet Sarasin - who had lavished praise on the play because of its rigid adherence to Aristotle's ' Rules ' - carefully avoids mentioning that Aristotle specifically condemns the happy ...
Strana 75
... happy and unhappy endings , those of the latter kind must have been composed solely ' out of complaisance to the Athenians , who loved spectacles of horror ' ; thus revealing his own insensibility to the true appeal of tragedy . He ...
... happy and unhappy endings , those of the latter kind must have been composed solely ' out of complaisance to the Athenians , who loved spectacles of horror ' ; thus revealing his own insensibility to the true appeal of tragedy . He ...
Obsah
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla