Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and ShakespeareUniversity of Nebraska Press, 1989 - Počet stran: 308 For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted. |
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Strana 11
... individual soul itself . " Pico della Mirandola's develop- ment of the attitude is probably the most widely known : through grace God created humanity in His own image , but it remains for individuals to realize , through free creative ...
... individual soul itself . " Pico della Mirandola's develop- ment of the attitude is probably the most widely known : through grace God created humanity in His own image , but it remains for individuals to realize , through free creative ...
Strana 50
... individual is dependent upon God . When the soul restores the image of God within itself and realizes its union with the Creator , it receives the power to participate in God's creative work . The desire to assert the individual ...
... individual is dependent upon God . When the soul restores the image of God within itself and realizes its union with the Creator , it receives the power to participate in God's creative work . The desire to assert the individual ...
Strana 170
... individual genius . The belief that the human mind contained innate Ideas which were keys to ultimate truth about the structure of the cosmos was specifi- cally singled out by the new scientists as a prideful dependence upon the powers ...
... individual genius . The belief that the human mind contained innate Ideas which were keys to ultimate truth about the structure of the cosmos was specifi- cally singled out by the new scientists as a prideful dependence upon the powers ...
Obsah
Art and Magic in the Philosophy of Marsilio Ficino | 22 |
Christian Cabala Theurgy | 36 |
Cornelius Agrippa and the Dissemination | 53 |
Autorská práva | |
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Agrippa Alchemist alchemy angels argued artist assertion authorities Bacon believed Ben Jonson Cabala Cabalist chapter Christian Christopher Marlowe conception Conclusiones cosmos daemons Dee's discussion divine edition Elizabethan emphasize England English Erasmus evil Faustus Ficino Garin genuine Giordano Bruno goetia Golden Age Heptaplus Hermes Trismegistus Hermetic Hermetic/Cabalist Hermetica History human nature humanists humankind Ideas illusion images individual influence intellectual Interpretation John Dee Jonson knowledge Kristeller learning London magic magicians magus Marlowe's Marsilio Ficino masque Mephostophilis mind Monas Hieroglyphica moral Neoplatonism Neoplatonists occult philosophy occult tradition Opera Oratio orthodox pagan Paracelsians Paracelsus perfect Pico della Mirandola Pico's play poetry political Press Prospero's art radical Ralegh references reform religion religious Renaissance occult Renaissance Thought sance satirical scene Shakespeare sixteenth social soul spiritual suggests symbolic Tempest texts Theologia Platonica things Thomas Harriot tion trans translation treatise Univ vanitate vision witchcraft witches Yates Yates's York