Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and ShakespeareUniversity of Nebraska Press, 1989 - Počet stran: 308 For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted. |
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Strana 36
... sources of much of Pico's thought , rather than the patristic or scholastic ones , and saw Pico and Ficino as among the first Ren- aissance thinkers to introduce significant unauthorized sources of religious revelation . Furthermore ...
... sources of much of Pico's thought , rather than the patristic or scholastic ones , and saw Pico and Ficino as among the first Ren- aissance thinkers to introduce significant unauthorized sources of religious revelation . Furthermore ...
Strana 63
... sources of occult wis- dom long after he had written De vanitate.11 Richard Popkin , in his introduction to Agrippa's Opera ( 1 : v - xxi ) suggests that after the composition of De vanitate Agrippa may still have been driven to find a ...
... sources of occult wis- dom long after he had written De vanitate.11 Richard Popkin , in his introduction to Agrippa's Opera ( 1 : v - xxi ) suggests that after the composition of De vanitate Agrippa may still have been driven to find a ...
Strana 179
... sources , as well as Prospero's abjuration of his art , underscores the ambiguity of magic in The Tempest , a mysteriousness which is appropriate , she suggests , for a work which reveals the ambiguities of life itself . While C. J. ...
... sources , as well as Prospero's abjuration of his art , underscores the ambiguity of magic in The Tempest , a mysteriousness which is appropriate , she suggests , for a work which reveals the ambiguities of life itself . While C. J. ...
Obsah
Art and Magic in the Philosophy of Marsilio Ficino | 22 |
Christian Cabala Theurgy | 36 |
Cornelius Agrippa and the Dissemination | 53 |
Autorská práva | |
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