Cursory Remarks on Tragedy, on Shakespeare and on Certain French and Italian Poets, Principally Tragedians

abfurd Æneid affertion Affur AGAMEMNON antient Anxur Arface aſk beauty becauſe Canto cauſe cenfure character compofitions confequently Corneille critic defign deſcription difpofition diſcovering Engliſh Euripides expreffion faid fame fcene feems fenfibility fentiments fhall fhew firſt fituation fome fometimes foon French ftage fubject fublime fuch fuppofe furely Grecian guage heroes herſelf himſelf hiſtory imitation inftances intereſting IPHIGENIE Italian itſelf juſt leaſt lefs merit Merope mifery miſtaken moft moſt muſt myſelf nature neceffary Ninus obfcured obferve occafions Othello paffage paffions paftoral perfon phontes pity pleaſe pleaſure poem poet poetry poffible preſent racter reaſon repreſentation repreſented reſemblance Rinaldo Romans ſays ſcene ſee ſeem Semiramis Shakeſpear ſhall ſhe ſhould ſome ſpeak ſpectator ſpeech ſpirit ſtage ſtriking ſtyle ſuch Taffo theatre themſelves theſe thofe thoſe Titian tragedian tragedy tragic tranflated truth uſed verfe Vide Virgil Voltaire whilft whoſe writers