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To make sweet music, they could succeed."
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.

Sweet, sweet, sweet, O Pan!
Piercing sweet by the river!
Blinding sweet, O great god Pan!
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.

Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man:

The true gods sigh for the cost and pain,-
For the reed which grows nevermore again
As a reed with the reeds in the river.

Elizabeth Barrett Browning [1806-1861]

AT A SOLEMN MUSIC

BLEST pair of Sirens, pledges of Heaven's joy,
Sphere-born harmonious Sisters, Voice and Verse!
Wed your divine sounds, and mixed power employ,
Dead things with inbreathed sense able to pierce,
And to our high-raised phantasy present
That undisturbed Song of pure consent
Aye sung before the sapphire-colored throne
To Him that sits thereon,

With saintly shout and solemn jubilee;
Where the bright Seraphim in burning row
Their loud uplifted angel-trumpets blow;
And the Cherubic host in thousand choirs
Touch their immortal harps of golden wires,
With those just Spirits that wear victorious palms,
Hymns devout and holy psalms

Singing everlastingly:

That we on earth, with undiscording voice

May rightly answer that melodious noise;
As once we did, till disproportioned sin

Jarred against nature's chime, and with harsh din.

Broke the fair music that all creatures made

To their great Lord, whose love their motion swayed In perfect diapason, whilst they stood

In first obedience, and their state of good.

O may we soon again renew that Song,

And keep in tune with Heaven, till God ere long
To his celestial concert us unite,

To live with him, and sing in endless morn of light!
John Milton [1608-1674]

WITH A GUITAR, TO JANE

ARIEL to Miranda:-Take

This slave of Music, for the sake
Of him who is the slave of thee,
And teach it all the harmony

In which thou can'st, and only thou,
Make the delighted spirit glow,
Till joy denies itself again,

And, too intense, is turned to pain;
For by commission and command
Of thine own Prince Ferdinand,
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit, Ariel, who,
From life to life, must still pursue
Your happiness;-for thus alone
Can Ariel ever find his own.
From Prospero's enchanted cell,
As the mighty verses tell,
To the throne of Naples, he
Lit you o'er the trackless sea,
Flitting on, your prow before,
Like a living meteor.

When you die, the silent Moon,
In her interlunar swoon,

Is not sadder in her cell

Than deserted Ariel.

When you live again on earth,
Like an unseen star of birth,

Ariel guides you o'er the sea
Of life from your nativity.
Many changes have been run
Since Ferdinand and you begun

Your course of love, and Ariel still

Has tracked your steps and served your will.

Now, in humbler, happier lot,

This is all remembered not;

And now, alas! the poor sprite is
Imprisoned, for some fault of his,
In a body like a grave;—
From you he only dares to crave,
For his service and his sorrow,
A smile to-day, a song to-morrow.

The artist who this idol wrought
To echo all harmonious thought,
Felled a tree, while on the steep
The woods were in their winter sleep,
Rocked in that repose divine
On the wind-swept Apennine;
And dreaming, some of Autumn past,
And some of Spring approaching fast,
And some of April buds and showers,
And some of songs in July bowers,
And all of love; and so this tree-

Oh, that such our death may be!

Died in sleep, and felt no pain,

To live in happier form again:

From which, beneath Heaven's fairest star,

The artist wrought the loved Guitar;

And taught it justly to reply

To all who question skilfully,
In language gentle as thine own;
Whispering in enamoured tone
Sweet oracles of woods and dells,
And summer winds in sylvan cells.
For it had learnt all harmonies
Of the plains and of the skies,

Of the forests and the mountains,
And the many-voiced fountains;
The clearest echoes of the hills,
The softest notes of falling rills,
The melodies of birds and bees,

The murmuring of summer seas,
And pattering rain, and breathing dew,
And airs of evening; and it knew
That seldom-heard, mysterious sound
Which, driven on its diurnal round,
As it floats through boundless day,
Our world enkindles on its way.-
All this it knows; but will not tell
To those who cannot question well
The Spirit that inhabits it.

It talks according to the wit
Of its companions; and no more
Is heard than has been felt before,
By those who tempt it to betray
These secrets of an elder day:
But sweetly as its answers will
Flatter hands of perfect skill,
It keeps its highest, holiest tone
For our beloved Jane alone.

Percy Bysshe Shelley [1792-1822]

ODE

WE are the music-makers,

And we are the dreamers of dreams,
Wandering by lone sea-breakers,
And sitting by desolate streams;
World-losers and world-forsakers,

On whom the pale moon gleams:
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties
We build up the world's great cities,

And out of a fabulous story

We fashion an empire's glory:

One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down.

We, in the ages lying

In the buried past of the earth,
Built Nineveh with our sighing,

And Babel itself with our mirth;
And o'erthrew them with prophesying
To the old of the new world's worth;
For each age is a dream that is dying,
Or one that is coming to birth.

A breath of our inspiration
Is the life of each generation;

A wondrous thing of our dreaming
Unearthly, impossible seeming--
The soldier, the king, and the peasant
Are working together in one,

Till our dream shall become their present, And their work in the world be done.

They had no vision amazing
Of the goodly house they are raising;
They had no divine foreshowing

Of the land to which they are going:
But on one man's soul it hath broken,
A light that doth not depart;
And his look, or a word he hath spoken,
Wrought flame in another man's heart.

And therefore to-day is thrilling
With a past day's late fulfilling;
And the multitudes are enlisted

In the faith that their fathers resisted.

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