The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 97
... human nature without distortion for the moral benefit of humanity . ' Language most shewes a man ' , argued Jonson , and believed that the classical stylistic values of brevity , clarity , and balance expressed the best qualities of human ...
... human nature without distortion for the moral benefit of humanity . ' Language most shewes a man ' , argued Jonson , and believed that the classical stylistic values of brevity , clarity , and balance expressed the best qualities of human ...
Strana 103
... human understanding , and have taken deep root therein , not only so beset men's minds that truth can hardly find entrance , but even after entrance obtained , they will again in the very instauration of the sciences meet and trouble us ...
... human understanding , and have taken deep root therein , not only so beset men's minds that truth can hardly find entrance , but even after entrance obtained , they will again in the very instauration of the sciences meet and trouble us ...
Strana 228
... human nature is not exempt from them . The frightening revelation of abysses that defy the human understanding is dismissed as illusion , and the poet is regarded as a victim and perpetrator of deception . Even to the poet , his ...
... human nature is not exempt from them . The frightening revelation of abysses that defy the human understanding is dismissed as illusion , and the poet is regarded as a victim and perpetrator of deception . Even to the poet , his ...
Obsah
PART | 7 |
B Plotinus | 18 |
D Samuel Taylor Coleridge | 24 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing