 | Ralph Griffiths, George Edward Griffiths - 1771 - 622 str.
...his fkill and labour were directed." Let us now hear on what principles he founds his precepts. • All the objects which are exhibited to our view by Nature, upon clofe examination will be found to have their blemifhes and defects. The moft beautiful forms have... | |
 | Several Hands - 1771 - 614 str.
...all his fkill and labour were directed" Let us now hear on what principles he founds his' precepts. < All the objects which are exhibited to our view by Nature, upon clofe examination will be found to have their blemifhes and defe&s. The moft beautiful forms have fomething... | |
 | Edmund Burke - 1772 - 656 str.
...being able to get above all fingular forms, local cuftoms, particularities, and details o[ every kind. All the objects which are exhibited to our view by nature, upon clofe examination will be found to have their blemifhes and defers. The moft beautiful forms have fomething... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 str.
...forms, local customs, particularities, and details of every kind. All the objects which are exhibited to view by nature, upon close examination will be found...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | 1907 - 584 str.
...clue to the greatest movement in English art we cannot do better than quote the passage in full — ' all the objects which are exhibited to our view by...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 430 str.
...being; able to get above all singular forms, local customs, particularities, and details of every kind. All the objects which are exhibited to our view by...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 str.
...being able to get above all singular forms, local customs, particularities, and details of every kind. All the objects which are exhibited to our view by...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds - 1819 - 610 str.
...opinion, in being able_to get above all singular _ customs,particularities,^nd details of every^ kind. All the objects which are exhibited to our view by...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | Sir Joshua Reynolds - 1824 - 332 str.
...being able to get above all singular forms, local customs, particularities, and details of every kind. All the objects which are exhibited to our view by...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
 | sir Joshua Reynolds - 1824 - 332 str.
...being able to get above all singular forms, local customs, particularities, and details of every kind. All the objects which are exhibited to our view by...about them like weakness, minuteness, or imperfection. But it is not every eye that perceives these blemishes. It must be an eye long used to the contemplation... | |
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All the objects which are exhibited to our view by nature, upon close examination will be found to have their blemishes and defects. The most beautiful forms have something about them like weakness, minuteness, or imperfection. But it is not every eye... 
