Shakespeare and the Modern Stage: With Other EssaysC. Scribner's Sons, 1906 - Počet stran: 251 |
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Strana viii
... Tradition , " " Shakespeare in France , " and " The Commemora- tion of Shakespeare in London . " To Messrs Smith , PREFACE ix Elder & Co. , I am indebted for viii PREFACE Shakespeare's Reliance on the "Imaginary Forces.
... Tradition , " " Shakespeare in France , " and " The Commemora- tion of Shakespeare in London . " To Messrs Smith , PREFACE ix Elder & Co. , I am indebted for viii PREFACE Shakespeare's Reliance on the "Imaginary Forces.
Strana xii
... TRADITION I. The Reception of the News of Shakespeare's Death II . The Evolution in England of Formal Biography III . Oral Tradition concerning Shakespeare in Theatri- cal Circles IV . The Testimonies of Seventeenth - century Actors V ...
... TRADITION I. The Reception of the News of Shakespeare's Death II . The Evolution in England of Formal Biography III . Oral Tradition concerning Shakespeare in Theatri- cal Circles IV . The Testimonies of Seventeenth - century Actors V ...
Strana xiv
... Traditions and Experience 172 179 IV . Shakespeare's Exposure of Social Foibles and Errors V. Relevance of Shakespeare's Doctrine of Patriotism to Current Affairs . 184 187 · 188 IX A PERIL OF SHAKESPEAREAN RESEARCH I. An Alleged ...
... Traditions and Experience 172 179 IV . Shakespeare's Exposure of Social Foibles and Errors V. Relevance of Shakespeare's Doctrine of Patriotism to Current Affairs . 184 187 · 188 IX A PERIL OF SHAKESPEAREAN RESEARCH I. An Alleged ...
Strana 2
... tradition of the modern stage ordains that every revival of a Shakespearean play at a leading theatre shall base some part of its claim to public favour on its spectacular magnificence . PERILS OF SPECTACLE 3 The dramatic interest of ...
... tradition of the modern stage ordains that every revival of a Shakespearean play at a leading theatre shall base some part of its claim to public favour on its spectacular magnificence . PERILS OF SPECTACLE 3 The dramatic interest of ...
Strana 50
... thee a room . Thou art a monument without a tomb , And art alive still , while thy book doth live And we have wits to read and praise to give . CONTEMPORARY EULOGY 51 Milton wrote a few years later , 50 SHAKESPEARE IN ORAL TRADITION.
... thee a room . Thou art a monument without a tomb , And art alive still , while thy book doth live And we have wits to read and praise to give . CONTEMPORARY EULOGY 51 Milton wrote a few years later , 50 SHAKESPEARE IN ORAL TRADITION.
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acting actor actor-manager admiration artistic Bacon Beeston Ben Jonson Benson's Betterton biography career character classical comedy commemorative contemporary countrymen critical Cymbeline D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Ducis Dumas Elizabethan endeavour England English erect ethical France French genius George Peele Hamlet Henry honour human imagination interest Jonson Julius Cæsar king less lips literary drama literature London London County Council Love's Labour's Lost Lowin Macbeth memorial of Shakespeare ment methods monument moral municipal theatre nature never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece playgoer playhouse poet poet's poetic poetry political present realise rendered reputation Richard II rôle scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama Shoreditch speare speare's spearean speech spirit stage Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William Beeston writing wrote
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Strana 160 - In law, what plea so tainted and corrupt, But, being season'd with a gracious voice, Obscures the show of evil ? In religion, What damned error, but some sober brow Will bless it, and approve it with a text...
Strana 186 - A strange fish! Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
Strana 169 - There is some soul of goodness in things evil, Would men observingly distil it out...
Strana 20 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene ! Then should the warlike Harry, like himself, Assume the port of Mars ; and, at his heels, Leash'd in like hounds, should famine, sword, and fire, Crouch for employment.
Strana 46 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Strana 153 - Tis mightiest in the mightiest, it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings; It is an attribute to God himself, And earthly power doth then show likest God's When mercy seasons justice.
Strana 46 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Strana 155 - Lear. What, art mad ? A man may see how this world goes with no eyes. Look with thine ears : see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?
Strana 45 - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue : but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.
Strana 7 - ... twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others.