Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, 1. 9. 2015 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... able to provide spiritual uplift or political leadership to our students and readers are sometimes regarded with approbation , but more generally with skepticism , especially by those outside the academy . Both Renaissance English ...
... able to address topical issues , and thus to ap- peal to a large and heterogeneous audience , precisely because drama was perceived to be separate from real life and because play was per- ceived to be separate from power . ? My argument ...
... able to take account of the apparent subversiveness of the theater by positioning subversion as one element in the theater's authoriza- tion of monarchical power . Greenblatt's argument is more complex and subtle than defenses of the ...
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
Historical Interpretation and the Operations of Minds | 25 |
3 The Knowledge Marketplace | 45 |
4 Instituting Mirth in Renaissance Comedy | 65 |
5 Reflections of Theater in the Tragic Glass from Marlowe to Middleton | 93 |
Orality Voice and the Gender of Theatrical Power | 129 |
Notes | 171 |
Works Cited | 193 |
Index | 205 |
Další vydání - Zobrazit všechny
Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ... Paul Yachnin Zobrazení fragmentů - 1997 |