Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, 1. 9. 2015 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... productions - the " swill , " " mouldy tale [ s ] , " " scraps , " and " sweepings ” —of the play- ers and dramatists , or , as he called them , " The stagers , and the stage- wrights " ( Parfitt , 283 ) . “ Stage - wrights " is ...
... production of the religious drama . The expla- nation is simple : the government was determined to put a stop to the religious drama , but it held no such brief against the commercial the- ater . The religious drama represented a ...
... production and reception of literature would have been just the same at the Globe as they were at Whitehall . Importantly , he ignores the fact that the idea of the power of poetry in general was itself contested in the Renaissance ...
U této knihy jste dosáhli svého limitního počtu zobrazení..
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Obsah
1 | |
Historical Interpretation and the Operations of Minds | 25 |
3 The Knowledge Marketplace | 45 |
4 Instituting Mirth in Renaissance Comedy | 65 |
5 Reflections of Theater in the Tragic Glass from Marlowe to Middleton | 93 |
Orality Voice and the Gender of Theatrical Power | 129 |
Notes | 171 |
Works Cited | 193 |
Index | 205 |
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Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ... Paul Yachnin Zobrazení fragmentů - 1997 |