Marianne and the Puritan: Transformations of the Couple in French and American FilmsLexington Books, 2005 - Počet stran: 241 As recent history continues to show, France and the United states enjoy a love-hate relationship. Expressions of admiration and dismissal of one culture by the other are usually based on superficial judgments derived from well-worn clich s that do little more than perpetuate perceived and real differences between the two societies. Those who study these differences inevitably examine them through their own cultural peculiarities. Marianne and the Puritan attempts to draw these various analyses together by contrasting the different ways each culture constructs the romantic couple through U.S. and French popular cinema. David I. Grossvogel's broad sweeping, comparative, and interdisciplinary study is conducted with great elegance and erudition. It is a must for film studies, literary criticism, francophone studies, art history, and cultural sociology and anthropology. |
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Strana 1
... cultures where it is basically an instrument to legalize intercourse and procreation . ) Eventually , communal clusters looked to the same regulation in order to move from policing private relationships to shaping the social structure ...
... cultures where it is basically an instrument to legalize intercourse and procreation . ) Eventually , communal clusters looked to the same regulation in order to move from policing private relationships to shaping the social structure ...
Strana 2
... cultural bias was quite naturally presumed by any art form — literature or film --that did not propose to investigate specifically the question of marriage but was merely developing a more general story line . The investigation of ...
... cultural bias was quite naturally presumed by any art form — literature or film --that did not propose to investigate specifically the question of marriage but was merely developing a more general story line . The investigation of ...
Strana 3
... culture that might have been predisposed to censor them on political grounds was not readily prepared to do so on moral grounds . Also , these morally somber images were inadvertently assisted by a paucity of technical means : it took ...
... culture that might have been predisposed to censor them on political grounds was not readily prepared to do so on moral grounds . Also , these morally somber images were inadvertently assisted by a paucity of technical means : it took ...
Strana 5
... culture in which spasms of censorship like the Production Code could still convulse an entire industry . Only ... cultural and social norms in addition to sexual ones . In this country , the early use of moral didacticism in films to ...
... culture in which spasms of censorship like the Production Code could still convulse an entire industry . Only ... cultural and social norms in addition to sexual ones . In this country , the early use of moral didacticism in films to ...
Strana 6
... culture of excess , amnesia , complacency , and satedness ? " In identifying and catering to this new market ... cultural historian Andrea Weiss remarked , " There is a danger in using the term ' lesbian spectator , ' or even worse ...
... culture of excess , amnesia , complacency , and satedness ? " In identifying and catering to this new market ... cultural historian Andrea Weiss remarked , " There is a danger in using the term ' lesbian spectator , ' or even worse ...
Obsah
The Comedy of Romance in France Under the Roofs of Paris Elena and Her Men A Summer s Tale Sousles toits de Paris Elena et les hommes Conte ... | 15 |
The Comedy of Romance in Hollywood It Happened One Night Bringing Up Baby Ninotchka Everyone Says I Love You | 31 |
Romantic Comedy in France The Umbrellas of Cherbourg A Man and a Woman A Man a Woman Twenty Years Later Les Parapluies de Cherbourg ... | 53 |
Romantic Comedy in Hollywood Love Affair An Affair to Remember Sleepless in Seattle Moonstruck | 67 |
THE COMEDY OF MARRIAGE | 81 |
The Comedy of Marriage in France Boudu Saved From Drowning Carnival in Flanders The Bakers Wife Boudu sauve des eaiix La Kermesse heroiqu... | 83 |
The Comedy of Marriage in Hollywood The Awful TruthThe Philadelphia Story Adams Rib Down and Out in Beverly Hills | 101 |
THE PROBLEMATIC COUPLE | 121 |
The Drama of Romance in France Madame Bovary A Married Woman Happiness Too Beautiful for You Madame Bovary Unefemme mariee Le Bon... | 123 |
The Drama of Romance in Hollywood Penny Serenade Whos Afraid of Virginia Woolf? Husbands and Wives Afterglow The Bridges of Madison Co... | 145 |
The Tragedy of Romance in France The Bitch Port of Shadows Daybreak The Soft Skin La Chienne Le Quai des brumes Le Jour se leve La Peau dou... | 173 |
The Tragedy of Romance in Hollywood Stella Dallas Scarlet Street Touch of Evil The Long Night | 195 |
Paris Texas | 217 |
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229 | |
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Affair to Remember Albert allows Amanda American Annie attempts audience Awful Truth become Bernard Boudu bourgeois camera Carné Cary Grant characters Chris cinema Colette comic contrast couple critics culture David director drama dream Elena emotional fact farce father Feyder fiction film noir film's filmmakers finally France François French Gabe George Godard Happened One Night happy Hollywood husband Jean Jean Gabin Jean Renoir Jean-Louis Jerry Judy kind Legrand Lelouch Léon Lestingois Loretta Love Affair love story lovers Lucy madcap marriage married Martha McCarey motion pictures movie never Nick Ninotchka novel once Paris picture's Pierre play plot Pola Quinlan realism reality remains René Clair Renoir Rohmer role Rollan romance Scarlet Street scene screwball comedy sense sentimental sexual shot social spectator Stella Stella Dallas Susan tells Touch of Evil Tracy Travis Truffaut turns Valentin Varda wife woman women Woody Allen words young