Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 68
... Marlowe exploited a revealing current of class - interested feeling in his audience . The episodes that Levin identifies as having had the most memorable effect on Marlowe's contemporaries— which include Tamburlaine's " defeat and ...
... Marlowe exploited a revealing current of class - interested feeling in his audience . The episodes that Levin identifies as having had the most memorable effect on Marlowe's contemporaries— which include Tamburlaine's " defeat and ...
Strana 79
... Marlowe's generation may have seen nothing less than a " merging of the idealistic and materialistic goals of their aspirations . " Ac- cording to Esler , " Marlowe's classic statement of the creed of the aspiring mind , climaxing in ...
... Marlowe's generation may have seen nothing less than a " merging of the idealistic and materialistic goals of their aspirations . " Ac- cording to Esler , " Marlowe's classic statement of the creed of the aspiring mind , climaxing in ...
Strana 162
... Marlowe's protagonists to Renaissance or- thodoxies is doomed from the start by their subjection to cultural construc- tions that effectively define and contain their resistance . However compelling one may find this formulation , it ...
... Marlowe's protagonists to Renaissance or- thodoxies is doomed from the start by their subjection to cultural construc- tions that effectively define and contain their resistance . However compelling one may find this formulation , it ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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