Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 3
... Shakespeare than we entertain at present . I do not , on this account , advocate a collapsing of all differences into an identification that would give us a Shakespeare - who - is - Marlowe . To do so would deny the Shakespeare - who ...
... Shakespeare than we entertain at present . I do not , on this account , advocate a collapsing of all differences into an identification that would give us a Shakespeare - who - is - Marlowe . To do so would deny the Shakespeare - who ...
Strana 4
... Shakespearean plays in performance may be possible , just such an effort at re - creation is needed if we intend to make better use of the layers of commentary and information that have set the Shakespeare - who - isn't - Shakespeare at ...
... Shakespearean plays in performance may be possible , just such an effort at re - creation is needed if we intend to make better use of the layers of commentary and information that have set the Shakespeare - who - isn't - Shakespeare at ...
Strana 136
... Shakespeare . I employ the word now in relation to Shakespeare not to reverse the terms of the debate , or to elide the very real differences between Marlowe and Shakespeare . Nor do I wish to contribute a new argument for Shakespeare's ...
... Shakespeare . I employ the word now in relation to Shakespeare not to reverse the terms of the debate , or to elide the very real differences between Marlowe and Shakespeare . Nor do I wish to contribute a new argument for Shakespeare's ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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