Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 68
... Tamburlaine offers convincing evidence that Tamburlaine " evoked a positive response in contemporary audiences , " one probably characterized more by " amoral wonder " than " moral approbation , " but positive nevertheless ( 1984 , 53 ) ...
... Tamburlaine offers convincing evidence that Tamburlaine " evoked a positive response in contemporary audiences , " one probably characterized more by " amoral wonder " than " moral approbation , " but positive nevertheless ( 1984 , 53 ) ...
Strana 88
... Tamburlaine's “ jades of Asia " speech , Duke Humphrey's statement works within the well - worn de casibus tradition and employs the imagery of Tamburlaine's triumphs as an emblem of pride laid low . The Duchess of Gloucester is at once ...
... Tamburlaine's “ jades of Asia " speech , Duke Humphrey's statement works within the well - worn de casibus tradition and employs the imagery of Tamburlaine's triumphs as an emblem of pride laid low . The Duchess of Gloucester is at once ...
Strana 89
... Tamburlaine phenomenon into realized engagement : a success Marlowe seems to have had no trouble repeating in his sequel to Tamburlaine the Great where occasions for resistance more often overlap with occasions for engagement and where ...
... Tamburlaine phenomenon into realized engagement : a success Marlowe seems to have had no trouble repeating in his sequel to Tamburlaine the Great where occasions for resistance more often overlap with occasions for engagement and where ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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