Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 33
... cultural tradition adapting her to this convention , which eases a transition out of her own sex into another . ( 1981 , 13 ) After enriching this insight with a series of carefully considered emenda- tions of Freud's concept of ...
... cultural tradition adapting her to this convention , which eases a transition out of her own sex into another . ( 1981 , 13 ) After enriching this insight with a series of carefully considered emenda- tions of Freud's concept of ...
Strana 69
... cultural ideals as well . ( 1971 , 63 ) The relationship between Tamburlaine the Great and the cultural ideals of Elizabethan England on the eve of the defeat of the Spanish Armada has often been addressed , with the coincidence of an ...
... cultural ideals as well . ( 1971 , 63 ) The relationship between Tamburlaine the Great and the cultural ideals of Elizabethan England on the eve of the defeat of the Spanish Armada has often been addressed , with the coincidence of an ...
Strana 92
... cultural moment when multitudes became audiences that paid for the pleasure of participating vicariously in events like the one he describes . While Adams may distort " the facts " of Camden's report , he does so in the interest of ...
... cultural moment when multitudes became audiences that paid for the pleasure of participating vicariously in events like the one he describes . While Adams may distort " the facts " of Camden's report , he does so in the interest of ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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action actually advance appeal approach aspiring attempt audience audience's authority Barabas becomes believe calls capacity chapter character claim closing common consequently considered constitutes construction contemporary context course critical cultural defenses demonstrate designed desire dramatic Edward effects Elizabethan engagement established example expression fact fantasy feel Gaveston ghost give ground hand Henry identify ideology imaginative intentions interests interpretive Jack Straw kind king largely least less Lord Macbeth manner Marlowe Marlowe's material means mind moral nature normative notes observes offer operates opposed performance play play's playgoers pleasure political position possibility present privileged provides psychic psychological question range reading regarding represented resistance respect response Richard role scene seems sense serve Shakespeare shared social speak specific speech stage status structure suggests Tamburlaine theater theatrical experience Timon tion writes