Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 41
... designed to alienate both male and female playgoers from the scene of Leontes's fan- tasy . However , in so doing , it also serves to inhibit their capacity for en- gagement with the one character onstage who commands the kind of ...
... designed to alienate both male and female playgoers from the scene of Leontes's fan- tasy . However , in so doing , it also serves to inhibit their capacity for en- gagement with the one character onstage who commands the kind of ...
Strana 44
... designed to ensure continued access to and enjoyment of them . In some instances , the teeth of such productions are sharpened to assure that the bite they once commanded will still be felt by an auditory dulled either by ...
... designed to ensure continued access to and enjoyment of them . In some instances , the teeth of such productions are sharpened to assure that the bite they once commanded will still be felt by an auditory dulled either by ...
Strana 143
... designed to produce the same ef- fects that are produced by a set speech addressed in a public dramatic con- text that takes more than the isolate self for its theme . It is , instead , designed to bring the solitary speaking character ...
... designed to produce the same ef- fects that are produced by a set speech addressed in a public dramatic con- text that takes more than the isolate self for its theme . It is , instead , designed to bring the solitary speaking character ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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action actually advance appeal approach aspiring attempt audience audience's authority Barabas becomes believe calls capacity chapter character claim closing common consequently considered constitutes construction contemporary context course critical cultural defenses demonstrate designed desire dramatic Edward effects Elizabethan engagement established example expression fact fantasy feel Gaveston ghost give ground hand Henry identify ideology imaginative intentions interests interpretive Jack Straw kind king largely least less Lord Macbeth manner Marlowe Marlowe's material means mind moral nature normative notes observes offer operates opposed performance play play's playgoers pleasure political position possibility present privileged provides psychic psychological question range reading regarding represented resistance respect response Richard role scene seems sense serve Shakespeare shared social speak specific speech stage status structure suggests Tamburlaine theater theatrical experience Timon tion writes