Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 20
... effects of appropriation , I have thus far depended — and will continue to depend on observations drawn from even the most questionable sources of Elizabethan dramatic criticism . But since such sources are too limited and provide too ...
... effects of appropriation , I have thus far depended — and will continue to depend on observations drawn from even the most questionable sources of Elizabethan dramatic criticism . But since such sources are too limited and provide too ...
Strana 58
... effect in such as ar present and frequent the same , may soon bee decerned by all that haue any godly vnderstanding & that obserue the fruites & effects of the same , conteining nothing ells but vnchast fables , lascivious divises ...
... effect in such as ar present and frequent the same , may soon bee decerned by all that haue any godly vnderstanding & that obserue the fruites & effects of the same , conteining nothing ells but vnchast fables , lascivious divises ...
Strana 60
... effects " of playgoing to those offered by Nashe and Heywood , I am effectively deter- mining which contemporary testimony about the effects of plays on audi- ences can be reconciled with a revised estimate of the psychic disposition of ...
... effects " of playgoing to those offered by Nashe and Heywood , I am effectively deter- mining which contemporary testimony about the effects of plays on audi- ences can be reconciled with a revised estimate of the psychic disposition of ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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action actually advance appeal approach aspiring attempt audience audience's authority Barabas becomes believe calls capacity chapter character claim closing common consequently considered constitutes construction contemporary context course critical cultural defenses demonstrate designed desire dramatic Edward effects Elizabethan engagement established example expression fact fantasy feel Gaveston ghost give ground hand Henry identify ideology imaginative intentions interests interpretive Jack Straw kind king largely least less Lord Macbeth manner Marlowe Marlowe's material means mind moral nature normative notes observes offer operates opposed performance play play's playgoers pleasure political position possibility present privileged provides psychic psychological question range reading regarding represented resistance respect response Richard role scene seems sense serve Shakespeare shared social speak specific speech stage status structure suggests Tamburlaine theater theatrical experience Timon tion writes