Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 21
... give way without a qualm to such suppressed impulses as a craving for freedom in religious , political , social and sexual matters , and to ' blow off steam ' in every direction in the various grand scenes that form part of the life ...
... give way without a qualm to such suppressed impulses as a craving for freedom in religious , political , social and sexual matters , and to ' blow off steam ' in every direction in the various grand scenes that form part of the life ...
Strana 39
... give that playgoer a more collaborative role in this project . One means of compensating for the silence of the absent playgoer is to indicate how the kinds of responses we delegate to guesswork may have been prompted by both explicit ...
... give that playgoer a more collaborative role in this project . One means of compensating for the silence of the absent playgoer is to indicate how the kinds of responses we delegate to guesswork may have been prompted by both explicit ...
Strana 193
... give these feelings at least the illusion of unbridled play before it is time to restrain them at play's end . In ... gives it an ephemeral , though sustaining , taste of freedom . In Timon of Athens Shakespeare seems to have set himself ...
... give these feelings at least the illusion of unbridled play before it is time to restrain them at play's end . In ... gives it an ephemeral , though sustaining , taste of freedom . In Timon of Athens Shakespeare seems to have set himself ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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