Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
Vyhledávání v knize
Výsledky 1-3 z 22
Strana xiii
... largely hypothetical , they have ( I will argue ) a very plausible basis in the design of the playtexts in question , in the conditions of their production , and in the range of re- sponses that were available to Elizabethan playgoers ...
... largely hypothetical , they have ( I will argue ) a very plausible basis in the design of the playtexts in question , in the conditions of their production , and in the range of re- sponses that were available to Elizabethan playgoers ...
Strana 3
... largely irrecoverable . One of the prevailing problems in both traditional and revisionist Shakespeare scholarship is the treatment from a predomi- nantly text - centered perspective of plays that were , at their moment of pro- duction ...
... largely irrecoverable . One of the prevailing problems in both traditional and revisionist Shakespeare scholarship is the treatment from a predomi- nantly text - centered perspective of plays that were , at their moment of pro- duction ...
Strana 89
... recall that there is nothing particularly reformist or utopian in Tamburlaine's dramatic orientation , and acknowledge that his appeal largely rests on his capacity to feed his audience's The Tamburlaine Phenomenon 89.
... recall that there is nothing particularly reformist or utopian in Tamburlaine's dramatic orientation , and acknowledge that his appeal largely rests on his capacity to feed his audience's The Tamburlaine Phenomenon 89.
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action actually advance appeal approach aspiring attempt audience audience's authority Barabas becomes believe calls capacity chapter character claim closing common consequently considered constitutes construction contemporary context course critical cultural defenses demonstrate designed desire dramatic Edward effects Elizabethan engagement established example expression fact fantasy feel Gaveston ghost give ground hand Henry identify ideology imaginative intentions interests interpretive Jack Straw kind king largely least less Lord Macbeth manner Marlowe Marlowe's material means mind moral nature normative notes observes offer operates opposed performance play play's playgoers pleasure political position possibility present privileged provides psychic psychological question range reading regarding represented resistance respect response Richard role scene seems sense serve Shakespeare shared social speak specific speech stage status structure suggests Tamburlaine theater theatrical experience Timon tion writes