Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 79
... mind , climaxing in the praise of earthly power , illustrates perfectly the emotional and normative equivalence of the material and the ideal realms in the minds of his generation " ( 1966 , 161 ) . There were undoubtedly other members ...
... mind , climaxing in the praise of earthly power , illustrates perfectly the emotional and normative equivalence of the material and the ideal realms in the minds of his generation " ( 1966 , 161 ) . There were undoubtedly other members ...
Strana 98
... mind's eye ) and does not see a dagger that is at once both visible and invisible to the playgoer's cognitive surrogate , Macbeth : Is this a dagger , which I see before me , The handle toward my hand ? Come , let me clutch thee : - I ...
... mind's eye ) and does not see a dagger that is at once both visible and invisible to the playgoer's cognitive surrogate , Macbeth : Is this a dagger , which I see before me , The handle toward my hand ? Come , let me clutch thee : - I ...
Strana 218
... mind , not of the heart . He knows intellectually the obligations he does not feel " ( 189 ) . 8. Henry's observation on the political utility of ceremony closely resembles the observation on the political function of religion ...
... mind , not of the heart . He knows intellectually the obligations he does not feel " ( 189 ) . 8. Henry's observation on the political utility of ceremony closely resembles the observation on the political function of religion ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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