Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 241 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 107
... play " deliberately designed to flatter James I or as a politically topical play that draws heavily on the Gowrie Conspiracy and Gunpowder Plot . While Forman admittedly viewed Macbeth some years after its proba- ble original production ...
... play " deliberately designed to flatter James I or as a politically topical play that draws heavily on the Gowrie Conspiracy and Gunpowder Plot . While Forman admittedly viewed Macbeth some years after its proba- ble original production ...
Strana 164
... play as we ride an unfamiliar rapids , ad- justing our position to fit the contours of its protean shape and texture . Marlowe negotiates his audience's passage to informed engagement by in- ducing it to surrender any preconceived ...
... play as we ride an unfamiliar rapids , ad- justing our position to fit the contours of its protean shape and texture . Marlowe negotiates his audience's passage to informed engagement by in- ducing it to surrender any preconceived ...
Strana 185
... play is about . " But when she connects the play's dramatic breakdowns with a sym- pathetic breakdown in the compositional process itself , she makes Shake- speare more victim than master of his own intentions and defines the play in ...
... play is about . " But when she connects the play's dramatic breakdowns with a sym- pathetic breakdown in the compositional process itself , she makes Shake- speare more victim than master of his own intentions and defines the play in ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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