Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 35
... pleasure . This feeling of pleasure need not derive , as is usually the case in Mar- lowe , from any conscious or unconscious engagement with the aggressor in a violent action . As Ellis observes : It is equally possible for pleasure to ...
... pleasure . This feeling of pleasure need not derive , as is usually the case in Mar- lowe , from any conscious or unconscious engagement with the aggressor in a violent action . As Ellis observes : It is equally possible for pleasure to ...
Strana 36
... pleasure is derived ... from the affliction of a weaker being in the face of divine might " ( 306 ) , it can also be profitably applied to the study of Shakespearean drama where the lines of conflict are less strictly demarcated and ...
... pleasure is derived ... from the affliction of a weaker being in the face of divine might " ( 306 ) , it can also be profitably applied to the study of Shakespearean drama where the lines of conflict are less strictly demarcated and ...
Strana 112
... pleasure . The reason seems to be that pleasure from defenses has a peculiarly powerful effect . . . . In life , defenses stand off and modify drives and so cut down the amount of pleasure we get even if the drives are gratified . If ...
... pleasure . The reason seems to be that pleasure from defenses has a peculiarly powerful effect . . . . In life , defenses stand off and modify drives and so cut down the amount of pleasure we get even if the drives are gratified . If ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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