Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 130
... possibility that “ facts " about Elizabethan playwrights and playgoers drawn from the do- main of professed or prescribed cultural practices and beliefs cannot pro- vide for . Such facts exclude the fantasy life of Marlowe's audience to ...
... possibility that “ facts " about Elizabethan playwrights and playgoers drawn from the do- main of professed or prescribed cultural practices and beliefs cannot pro- vide for . Such facts exclude the fantasy life of Marlowe's audience to ...
Strana 151
... possibility that its own best interests may not be served by the ideology in question . Indeed , Ulysses ' insistence on " primogeneity and due of birth " would have warmed the hearts of few Elizabethan second sons had they had the ...
... possibility that its own best interests may not be served by the ideology in question . Indeed , Ulysses ' insistence on " primogeneity and due of birth " would have warmed the hearts of few Elizabethan second sons had they had the ...
Strana 209
... possibility of resistance to the existing order in the psycho- logical substructures of artworks and their recipients , drawing an implicit connec- tion between psychic economy and the ideological content of aesthetic transactions ...
... possibility of resistance to the existing order in the psycho- logical substructures of artworks and their recipients , drawing an implicit connec- tion between psychic economy and the ideological content of aesthetic transactions ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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