Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
Vyhledávání v knize
Výsledky 1-3 z 49
Strana 105
... scene serves only to advance the plot of the play . It is how the other characters onstage learn of Banquo's death and Mac- beth's guilt , and it also precipitates , in the chronology of Forman's re- counting , the flight of Macduff and ...
... scene serves only to advance the plot of the play . It is how the other characters onstage learn of Banquo's death and Mac- beth's guilt , and it also precipitates , in the chronology of Forman's re- counting , the flight of Macduff and ...
Strana 108
... scene ( III.v ) which immediately follows the exit of the Macbeths in III.iv. In this scene a new variable obtrudes upon the drama in the person of Hecate , who enters with the three witches in tow osten- sibly to inform the audience ...
... scene ( III.v ) which immediately follows the exit of the Macbeths in III.iv. In this scene a new variable obtrudes upon the drama in the person of Hecate , who enters with the three witches in tow osten- sibly to inform the audience ...
Strana 207
... scene's psychological effects . 13. For astute analyses of how distinctions between seemingly “ good ” and “ bad ” characters are repeatedly disabled in Lear and Macbeth , see Berger , " The Early Scenes of Macbeth ” ( 1980 ) and “ Text ...
... scene's psychological effects . 13. For astute analyses of how distinctions between seemingly “ good ” and “ bad ” characters are repeatedly disabled in Lear and Macbeth , see Berger , " The Early Scenes of Macbeth ” ( 1980 ) and “ Text ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action actually advance appeal approach aspiring attempt audience audience's authority Barabas becomes believe calls capacity chapter character claim closing common consequently considered constitutes construction contemporary context course critical cultural defenses demonstrate designed desire dramatic Edward effects Elizabethan engagement established example expression fact fantasy feel Gaveston ghost give ground hand Henry identify ideology imaginative intentions interests interpretive Jack Straw kind king largely least less Lord Macbeth manner Marlowe Marlowe's material means mind moral nature normative notes observes offer operates opposed performance play play's playgoers pleasure political position possibility present privileged provides psychic psychological question range reading regarding represented resistance respect response Richard role scene seems sense serve Shakespeare shared social speak specific speech stage status structure suggests Tamburlaine theater theatrical experience Timon tion writes