Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 32
... sense , involve socially constructed males identifying with male heroes , and socially constructed females identifying with women heroines . The situation is more complex than this , as identification in- volves both the recognition of ...
... sense , involve socially constructed males identifying with male heroes , and socially constructed females identifying with women heroines . The situation is more complex than this , as identification in- volves both the recognition of ...
Strana 79
... sense of mastery within the prevailing structures of power . He consequently represents the destabilizing potential of such inversions of the social and political order . jum The sense of " amoral wonder " allegedly engendered The ...
... sense of mastery within the prevailing structures of power . He consequently represents the destabilizing potential of such inversions of the social and political order . jum The sense of " amoral wonder " allegedly engendered The ...
Strana 92
... sense of horror , ” and “ its mingled sense of pity and fear , ” but concludes that " All three stimulated this audience to a sense of participation in the experience of tragedy as history ruled by raison d'état , even when their most ...
... sense of horror , ” and “ its mingled sense of pity and fear , ” but concludes that " All three stimulated this audience to a sense of participation in the experience of tragedy as history ruled by raison d'état , even when their most ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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