Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 71
... status quo . The clownish My- cetes and his presumptive usurper , Cosroe , may , for example , serve in Part I to represent an imaginatively impoverished social order fit to be opposed by a modern " worthy " assured of his gifts and ...
... status quo . The clownish My- cetes and his presumptive usurper , Cosroe , may , for example , serve in Part I to represent an imaginatively impoverished social order fit to be opposed by a modern " worthy " assured of his gifts and ...
Strana 181
... status in the Shakespeare canon - and its marginal status in the repertory of frequently produced Shakespearean playtexts — makes it unusually suitable for treatment from a perspective that makes exceptional claims of its own . I am ...
... status in the Shakespeare canon - and its marginal status in the repertory of frequently produced Shakespearean playtexts — makes it unusually suitable for treatment from a perspective that makes exceptional claims of its own . I am ...
Strana 197
... status as a humanistic institution— one that would presumably focus on Timon's prodigality , misplaced ide- alism , or emotional immaturity - Burke grants Timon the dramatic status with which the play of his life endows him , casting ...
... status as a humanistic institution— one that would presumably focus on Timon's prodigality , misplaced ide- alism , or emotional immaturity - Burke grants Timon the dramatic status with which the play of his life endows him , casting ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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