Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 163
... structure that encourages imaginative and moral restraint — is a conspicuously missing link in the play's dramatic design . In The Jew Marlowe does not commit himself to the dramatic econ- omy of checks and balances described by Freud ...
... structure that encourages imaginative and moral restraint — is a conspicuously missing link in the play's dramatic design . In The Jew Marlowe does not commit himself to the dramatic econ- omy of checks and balances described by Freud ...
Strana 174
... structural denial coincides with the dramatic reduction of Ferneze - the play's only identifiable representative of ... structure . As in Ed- ward II , we find Marlowe curiously indifferent to the scenes of suffering Barabas's actions ...
... structural denial coincides with the dramatic reduction of Ferneze - the play's only identifiable representative of ... structure . As in Ed- ward II , we find Marlowe curiously indifferent to the scenes of suffering Barabas's actions ...
Strana 220
... structure of such a play cannot be considered in simply narrative terms . . . because the rapid changes of theatrical mode which are its chief resource have no narrative significance ; still less can it be considered in terms of ...
... structure of such a play cannot be considered in simply narrative terms . . . because the rapid changes of theatrical mode which are its chief resource have no narrative significance ; still less can it be considered in terms of ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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