Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29. 11. 1991 - Počet stran: 264 This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Strana 53
... suggests that irreverence was not symptomatic of religious ignorance alone or confined to the domain of " heath and forest " where many " knew more about Robin Hood than they did about the sto- ries in the Bible " ( 164 ) . The ...
... suggests that irreverence was not symptomatic of religious ignorance alone or confined to the domain of " heath and forest " where many " knew more about Robin Hood than they did about the sto- ries in the Bible " ( 164 ) . The ...
Strana 84
... suggests how difficult it is to reconstruct a common ground of response to the Tamburlaine phenomenon . There is , however , one area of overlap in each of the preceding examples — namely , that of class consciousness and class conflict ...
... suggests how difficult it is to reconstruct a common ground of response to the Tamburlaine phenomenon . There is , however , one area of overlap in each of the preceding examples — namely , that of class consciousness and class conflict ...
Strana 136
... suggest something of the same with respect to Marlowe in the preceding chapter , I am not persuaded that Shakespeare was quite as free of what amounts to an ideological investment in his productions as Cox suggests . The difference ...
... suggest something of the same with respect to Marlowe in the preceding chapter , I am not persuaded that Shakespeare was quite as free of what amounts to an ideological investment in his productions as Cox suggests . The difference ...
Obsah
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Autorská práva | |
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