Lectures on the English Comic WritersJ.M. Dent & Sons, Limited, 1930 - Počet stran: 340 |
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... object of ludicrous poetry is naturally to let down and lessen ; and it is easier to let down than to raise up , to weaken than to strengthen , to dis- connect our sympathy from passion and power , than to attach and rivet it to any object ...
... object of ludicrous poetry is naturally to let down and lessen ; and it is easier to let down than to raise up , to weaken than to strengthen , to dis- connect our sympathy from passion and power , than to attach and rivet it to any object ...
Strana 50
... object of the poetry of the passions again is to illustrate any strong feeling , by shewing the same feeling as connected with objects or circum- stances more palpable and touching ; but here the object was to strain and distort the ...
... object of the poetry of the passions again is to illustrate any strong feeling , by shewing the same feeling as connected with objects or circum- stances more palpable and touching ; but here the object was to strain and distort the ...
Strana 267
... object of imagination and forethought ; therefore the motive to voluntary action , to all that we seek or shun , must be in all cases ideal and problematical . The thing itself which is an object of pursuit can never co - exist with the ...
... object of imagination and forethought ; therefore the motive to voluntary action , to all that we seek or shun , must be in all cases ideal and problematical . The thing itself which is an object of pursuit can never co - exist with the ...
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absurdity admiration affectation amusing appearance beauty Beggar's Opera Ben Jonson better Brentford character circumstances comedy comic common delight Don Quixote English Epicene equally extravagance eyes face Falstaff fancy favourite feeling folly genius gentleman Gil Blas give grace hand heart hero Hogarth Hudibras human humour idea imagination impression insipid instance interest Jem Belcher lady laugh live look Lord Lord Byron lover ludicrous main-chance manners means Millamant mind mistress moral nature never object opinion ourselves pain passion perhaps person philosopher picture play pleasure poet poetry present pretensions principle Rake's Progress reason refinement ridiculous romance satire scene School for Scandal seems self-love sense sentiment Shakspeare shew sort spirit stage story style supposed sympathy Tartuffe taste Tatler thee thing thought Tom Jones truth turn vanity vulgar whole WILLIAM HAZLITT words writers