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" He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress, (Before Decay's effacing fingers Have swept the lines where beauty lingers... "
The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ... - Strana 298
autor/autoři: George Vandenhoff - 1847 - 383 str.
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The Gentleman's Magazine, and Historical Chronicle, for the ..., Svazek 91,Díl 1

1821 - 712 str.
...by the waiul of an enchanter, rather than reared by human hands. Myst. of Udol. v. Í. p. 34. Byron. He who hath bent him o'er the dead, Ere the first day of death is fled, ite. See the rest of this beautiful passage, »s far as Such is the aspect of this shore, Tis Greece,...
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The British review and London critical journal

1813 - 574 str.
...this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first day of'-death is fled ; The first dark day of nothingness, The last,...• Have swept the lines where beauty lingers) And marked the mild angelic air — The rapture of repose that's there — The fixed yet tender traits...
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The Edinburgh Review: Or Critical Journal, Svazek 21

1812 - 576 str.
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. ' He who hath bent him o'er the dead, Ere the first...danger and distress ; ( Before Decay's effacing fingers I lave swept the lines where beauty lingers,) And mark'd the mild angelic air—- The rapture of repose...
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Analectic Magazine, and Naval Chronicle, Svazek 2

1813 - 550 str.
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. " He who hath bent him o'er the dead, Ere, the first...air — The rapture of repose that's there — The fixed yet tender traits that streak The languor of the placid cheek, And — but for that sad shrouded...
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The Quarterly Review, Svazky 9–10

1813 - 1102 str.
...on an eastern audience, and of the grotesque declamation and gestures of the Turkish story-teller. ' He who hath bent him o'er the dead, Ere the first...angelic air— The rapture of repose that's there— The fixed yet tender traits that streak The languor of the placid cheek, And—but for that sad shrouded...
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The Port Folio

1813 - 716 str.
...consul at Athens. — FORT FOLIO. Receives him by the lovely light That bent becomes an eastern night. He who hath bent him o'er the dead, Ere the first...air — The rapture of repose that's there — The fii'd yet tender traits that streak The langour of the placid cheek, And — but for that sad shrouded...
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The Eclectic review. vol. 1-New [8th], Svazek 10

1813 - 662 str.
...shore, Rush the night-prowlers on the prey, And turn to groans his roundelay.! i>. 3. V<», X. Tt ' He who hath bent him o'er the dead, Ere the first...swept the lines where beauty lingers, ) And mark'd the mild.angelic air — The rapture of repose .that's there — The fixed yet tender traits that streak...
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The British Review, and London Critical Journal, Svazek 5

1813 - 580 str.
...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where beauty lingers) And marked the mild angelic air — The rapture of repose that's there — The fixed yet tender traits...
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The Quarterly Review, Svazek 10

1813 - 560 str.
...delight; and we cannot refrain from quoting the following highly wrought and characteristic specimen. ' He who hath bent him o'er the dead, Ere the first...of danger and distress ; (Before Decay's effacing fmgers Have swept the lines where beauty lingers,) And mark'd the mild angelic air — The rapture...
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The giaour, a fragment of a Turkish tale

George Gordon N. Byron (6th baron.) - 1813 - 90 str.
...inheritors of hell — 65 So soft the scene, so form'd for joy, So curst the tyrants, that destroy ! He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, 10 The last of danger and distress ; (Before Decay's effacing fingers Have swept the lines where beauty...
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