Experiencing the Past: On the Character of ArchaeologyRoutledge, 16. 11. 2005 - Počet stran: 240 In Experiencing the Past Michael Shanks presents an animated exploration of the character of archaeology and reclaims the sentiment and feeling which are so often lost in purely academic approaches. |
Vyhledávání v knize
Výsledky 1-5 z 38
Strana 1
... practices and pleasures of archaeology not just within the mind but within the body: embodied experience. In exploring such embodied experience I see a way of enabling archaeology to make more of its potential in the present, in ...
... practices and pleasures of archaeology not just within the mind but within the body: embodied experience. In exploring such embodied experience I see a way of enabling archaeology to make more of its potential in the present, in ...
Strana 2
... practice of sensuous receptivity (Part 4). The different parts are not at all exclusive. Similar points and particular issues are reviewed or picked out again in different ways and different contexts, building up ideas in layers rather ...
... practice of sensuous receptivity (Part 4). The different parts are not at all exclusive. Similar points and particular issues are reviewed or picked out again in different ways and different contexts, building up ideas in layers rather ...
Strana 3
... practices, to question the nature of subjective and objective. This was another origin of this book and its title ... practice of the technical, ethical, and poetic. I try to outline what this means to me in Part 4 through analogy ...
... practices, to question the nature of subjective and objective. This was another origin of this book and its title ... practice of the technical, ethical, and poetic. I try to outline what this means to me in Part 4 through analogy ...
Strana 16
... practice this meant Carl Hempel), and archaeology was construed accordingly. The dogmatism and fundamentalism - strict adherence to the arguments of a particular philosophy and rigidity of method — have now mostly gone. Neither is there ...
... practice this meant Carl Hempel), and archaeology was construed accordingly. The dogmatism and fundamentalism - strict adherence to the arguments of a particular philosophy and rigidity of method — have now mostly gone. Neither is there ...
Strana 25
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
5 | |
13 | |
Part 2 ARCHAEOLOGICAL INTERESTS | 51 |
THE ENCOUNTER WITHTHE PAST | 97 |
WORKING ARCHAEOLOGY | 161 |
SYNOPSIS | 207 |
NOTES | 211 |
BIBLIOGRAPHY | 216 |
INDEX | 224 |
Další vydání - Zobrazit všechny
Experiencing the Past: On the Character of Archaeology Michael Shanks Náhled není k dispozici. - 1992 |
Experiencing the Past: On the Character of Archaeology Michael Shanks Náhled není k dispozici. - 2011 |
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abstract academic aesthetic anthropology archae ARCHAEOLOGICAL ETHIC archaeological experience archaeological method archaeological past argued artifact aryballoi aspects associations authentic belonging castle collection concern construction contemporary context craft critical critical rationalism critically rationalist cultural identity dialogue discipline Dunstanburgh encounter ethical excavation facts false consciousness fascination fragments garden heritage human Ian Hodder ideas ideology critique images implies interests interpretation involves labour look Mashpee material past meaning metaphor methodological hegemony monument museums narrative Native American natural object past object world ologist ology particular past and present perhaps photograph piece of pot political post-processual archaeology post-structuralist post)modernity potsherd practice processual archaeology production questions rational reality reason reflection relation response rhizome Richard Long scientific archaeology sense significance social society sovereignty of science stone Stonehenge story strategies striptease structure style sublation technical theory things traditional tree tree-thinking truth understanding values Wallington Walter Benjamin