Television and Radio |
Vyhledávání v knize
Výsledky 1-3 z 76
Strana 283
... effects . Television production requires sound effects in the same way that radio production does . As needed , a sound - effects man with a sound - effects truck works in an out - of - the - way spot in the studio , with a special on ...
... effects . Television production requires sound effects in the same way that radio production does . As needed , a sound - effects man with a sound - effects truck works in an out - of - the - way spot in the studio , with a special on ...
Strana 511
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. 29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television ...
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. 29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television ...
Strana 519
... effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in placement according to the microphones used . In television , the actor ...
... effects around the microphone to secure the most effective pick - up . A succession of manual effects in the script entails careful planning and experimentation in placement according to the microphones used . In television , the actor ...
Obsah
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Autorská práva | |
Další části 34 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York