Television and Radio |
Vyhledávání v knize
Výsledky 1-3 z 39
Strana 471
... performance techniques of the various musicians and sections of the orches- tra ? Should a cover shot of the entire performance unit be held for long periods of time , even though the small size of the home television screen may reduce ...
... performance techniques of the various musicians and sections of the orches- tra ? Should a cover shot of the entire performance unit be held for long periods of time , even though the small size of the home television screen may reduce ...
Strana 481
... performance , and sponsor . Play only portions of numbers but cue them in so that the cuts are not obvious . Class criticism and evaluation after each presentation . 7. Audition class members and friends for a live - talent variety ...
... performance , and sponsor . Play only portions of numbers but cue them in so that the cuts are not obvious . Class criticism and evaluation after each presentation . 7. Audition class members and friends for a live - talent variety ...
Strana 570
... performance . Place the timings every thirty seconds in the margin at the right of the script . Some directors prefer more frequent timings . Unless you have an assistant , thirty seconds is recommended in order to permit you to listen ...
... performance . Place the timings every thirty seconds in the margin at the right of the script . Some directors prefer more frequent timings . Unless you have an assistant , thirty seconds is recommended in order to permit you to listen ...
Obsah
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Autorská práva | |
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action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York