Television and Radio |
Vyhledávání v knize
Výsledky 1-3 z 89
Strana 62
... Schedule per Week Schedule per Week Schedule 1. Total Non - Network Film ........ 25:17 22.6 54:57 61.7 27:19 24.8 ( a ) Film made Specially for TV 12:48 11.5 32:09 36.2 14:05 12.8 ( b ) Film made for Theaters .. 12:29 11.2 22:48 25.6 ...
... Schedule per Week Schedule per Week Schedule 1. Total Non - Network Film ........ 25:17 22.6 54:57 61.7 27:19 24.8 ( a ) Film made Specially for TV 12:48 11.5 32:09 36.2 14:05 12.8 ( b ) Film made for Theaters .. 12:29 11.2 22:48 25.6 ...
Strana 90
... Schedule A contains provisions supplementary to said agreement and in case of any conflict therewith , the provisions of this Schedule A shall govern . ) I. CBS Television will pay Station for broadcasting network sponsored programs ...
... Schedule A contains provisions supplementary to said agreement and in case of any conflict therewith , the provisions of this Schedule A shall govern . ) I. CBS Television will pay Station for broadcasting network sponsored programs ...
Strana 168
... schedule somewhat , a move that was suc- cessful in winning a greater share of the available audience , but it has by no means abandoned its original purposes . For example , it schedules more programs for minority interests during ...
... schedule somewhat , a move that was suc- cessful in winning a greater share of the available audience , but it has by no means abandoned its original purposes . For example , it schedules more programs for minority interests during ...
Obsah
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Autorská práva | |
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action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York