Television and Radio |
Vyhledávání v knize
Výsledky 1-3 z 74
Strana 290
... script for interpretation ? This question assumes that you will use the rehearsal period and mark the script for interpretation so that you do not have to depend entirely on recall or “ doing it by rote " during the broadcast . Each ...
... script for interpretation ? This question assumes that you will use the rehearsal period and mark the script for interpretation so that you do not have to depend entirely on recall or “ doing it by rote " during the broadcast . Each ...
Strana 296
... script formats that appear throughout Part II of this book . Different stations , networks , agencies , and program packagers use their own script formats . Each example reproduced in this book ad- heres to the format used by the ...
... script formats that appear throughout Part II of this book . Different stations , networks , agencies , and program packagers use their own script formats . Each example reproduced in this book ad- heres to the format used by the ...
Strana 567
... scripts , assign parts , and allow time for the actors to mark their scripts . 2. Briefly explain the treatment you are going to follow in the script , outlining in general terms , describing the characterizations as you see them at ...
... scripts , assign parts , and allow time for the actors to mark their scripts . 2. Briefly explain the treatment you are going to follow in the script , outlining in general terms , describing the characterizations as you see them at ...
Obsah
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Autorská práva | |
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action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York