Television and Radio |
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Strana 511
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. 29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television ...
Giraud Chester, Garnet R. Garrison, Edgar E. Willis. 29 Sound Effects and Music SOUND EFFECTS were referred to as " the stuff of radio " by an early British writer - producer in broadcasting.1 Sound effects are used less in television ...
Strana 518
... sound effects is in the method of presentation . The two broad divisions are manual and recorded . A miscellaneous division includes several other methods . Manual Sound Effects . Manual sound effects are produced live by an actor or sound ...
... sound effects is in the method of presentation . The two broad divisions are manual and recorded . A miscellaneous division includes several other methods . Manual Sound Effects . Manual sound effects are produced live by an actor or sound ...
Strana 519
... effects techni- cians perform these effects before a separate microphone in the same man- ner as in radio . They look at picture monitors to obtain accurate synchroni- zation ... Sound truck " is the term used to SOUND EFFECTS AND MUSIC 519.
... effects techni- cians perform these effects before a separate microphone in the same man- ner as in radio . They look at picture monitors to obtain accurate synchroni- zation ... Sound truck " is the term used to SOUND EFFECTS AND MUSIC 519.
Obsah
Social Aspects of Broadcasting w | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Autorská práva | |
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action actors ad lib advertising agencies American ANNCR announcer ARLENE FRANCIS audience audio broadcast CBS Television close-up color commercial Commission Communications Company control room Courtesy developed director disc jockey discussion drama educational engineer equipment example FADE feature Federal Communications Commission film frequency grams Harvey Kuenn interest interviews kinescope license listening live material ment microphone minutes MURROW narration National Broadcasting Company newscasts operation performance person pick-up picture play presented production radio and television radio drama radio stations records rehearsal responsibility ROOSEVELT scene schedule screen script signal sound effects speaker speech sponsor story studio talent talk tape techniques tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN writing York