Shakespeare, Sophocles: Dramatic Themes and ModesBookman Associates, 1960 - Počet stran: 117 |
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Strana 21
... feeling , piquant characterization , romantic humor , and most potent , undeniable truth . The twofold inten- tion in itself picturesque and flippant , has a constant undertone of terrible gravity and meaning . He bewilders the ...
... feeling , piquant characterization , romantic humor , and most potent , undeniable truth . The twofold inten- tion in itself picturesque and flippant , has a constant undertone of terrible gravity and meaning . He bewilders the ...
Strana 67
... feeling that expresses itself upon the arrival of mother and daugh- ter and infant Orestes at Aulis . Also , the romantic speeches of Achilles are executed with feeling ; the grief of Clytemnestra IPHIGENEIA AT AULIS 67.
... feeling that expresses itself upon the arrival of mother and daugh- ter and infant Orestes at Aulis . Also , the romantic speeches of Achilles are executed with feeling ; the grief of Clytemnestra IPHIGENEIA AT AULIS 67.
Strana 103
... feels himself a victim of supernatural purpose ; Iphigeneia regards herself as a victim of the will of Artemis ... feeling of friendly rela- tionship with the gods is seen in the prayer of Iphigeneia as Orestes and Pylades go into ...
... feels himself a victim of supernatural purpose ; Iphigeneia regards herself as a victim of the will of Artemis ... feeling of friendly rela- tionship with the gods is seen in the prayer of Iphigeneia as Orestes and Pylades go into ...
Obsah
SOURCES OF IRONY IN HAMLET | 9 |
STICHOMYTHIA CHORUS SOLILOQUY | 25 |
LADY LUMLEY AND IPHIGENEIA AT AULIS | 60 |
Autorská práva | |
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Shakespeare, Sophocles: Dramatic Themes and Modes Martha Hale Shackford Náhled není k dispozici. - 2012 |
Shakespeare, Sophocles: Dramatic Themes and Modes Martha Hale Shackford Náhled není k dispozici. - 2012 |
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Achilles action Aeschylus Agamemnon Ajax Antigone Apollo appear Ariel arouse Artemis Arundel audience beauty brother Brutus Cassio character Chorus Claudius Clytemnestra comedy Cordelia crime daughter death Desdemona dialogue discovery disguise divine drama dramatis personae dramatist elements emotions Euripides evil fate father fear forces foreshadowing and suspense fury gives goddess gods Hamlet hath hero human Iago Iago's imagination intellectual Iphigeneia at Aulis Iphigeneia in Tauris Isocrates Isocratis Jocasta justice kill King Lear King Oedipus Kreon Lady Jane Lady Lumley Laius land Latin Lord Lumley's Macbeth mental mind moral mother murder mystery nature Odyssey Orestes Othello passions persons Philoctetes play pleasure plot poetic present priestess Prospero punishment Queen readers recognition regarding Renaissance scene Shakespeare shepherd slain soliloquy Sophocles speak spectators speech spirit stichomythia story suffering suggested supernatural Taurians Tempest Theban Thebes thee thou thoughts tion tragic irony translation Troilus and Cressida Troy truth Ulysses word