Shakespeare, Sophocles: Dramatic Themes and ModesBookman Associates, 1960 - Počet stran: 117 |
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Strana 19
... live . IV In Hamlet the central motif is full of what seems the vicious perversity of Fortune , the tragedy of a soul made to suffer for his very fineness of virtue and fastidious morality . Unlike Lear , Hamlet has made no initial ...
... live . IV In Hamlet the central motif is full of what seems the vicious perversity of Fortune , the tragedy of a soul made to suffer for his very fineness of virtue and fastidious morality . Unlike Lear , Hamlet has made no initial ...
Strana 42
... live in a world of concrete objects rather than in one of spiritual influences . Their reactions and , at first , their sufferings are more of the senses than of conscience . When we meet Macbeth in scene vii we discover that he is no ...
... live in a world of concrete objects rather than in one of spiritual influences . Their reactions and , at first , their sufferings are more of the senses than of conscience . When we meet Macbeth in scene vii we discover that he is no ...
Strana 112
... live by divine law . In The Tempest , we see man triumphant over nature , using nature and his own mind to gain command of supernatural forces whereby he can work his will , in freedom . There is contrast be- tween Greek religion and ...
... live by divine law . In The Tempest , we see man triumphant over nature , using nature and his own mind to gain command of supernatural forces whereby he can work his will , in freedom . There is contrast be- tween Greek religion and ...
Obsah
SOURCES OF IRONY IN HAMLET | 9 |
STICHOMYTHIA CHORUS SOLILOQUY | 25 |
LADY LUMLEY AND IPHIGENEIA AT AULIS | 60 |
Autorská práva | |
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Shakespeare, Sophocles: Dramatic Themes and Modes Martha Hale Shackford Náhled není k dispozici. - 2012 |
Shakespeare, Sophocles: Dramatic Themes and Modes Martha Hale Shackford Náhled není k dispozici. - 2012 |
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