Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... ( Cambridge : Cambridge University Press , 1992 ) , 119–38 , and Leah Marcus , Politics of Mirth , 24-63 , map the competing foulness and fairness of the play in relation to histories of public festivity . My focus is broader than ...
... Cambridge : Cambridge University Press , 1984 . Barton ( Righter ) , Anne . Shakespeare and the Idea of the Play . 1962. Repr . , Harmondsworth : Penguin , 1967 . Batchelor , J. B. " The Pattern of Women Beware Women . " Yearbook of ...
... Cambridge : Cambridge University Press , 1989 . McLuskie , Kathleen . " The Patriarchal Bard : Feminist Criticism and Shake- speare : King Lear and Measure for Measure . " In Political Shakespeare : New Essays in Cultural Materialism ...
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The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |