Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... Desdemona makes sense of the text in the localized terms of the early seventeenth - century university , but his response also encourages us to consider Shakespeare's advocatory female characters in ... Desdemona who Desdemona's Voice 29.
... Desdemona but derives its basic understanding of the shape of the character from Bradley : In Othello . . . the female voices are constituted fictionally , by a male author . It is not sufficient , then , to " recover " Desdemona's ...
... Desdemona in different terms but according to a similar pattern . In his view , there are two different Desdemonas rather than one changing Desdemona . That is the case because the play is said to make the character serve two separate ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |