Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
Vyhledávání v knize
Výsledky 1-3 z 10
... Globe in 1600 to the execution of King Charles in 1649.8 Such narratives are doubly unhistorical : they refuse to localize and they assume the operation of a causal chain that is incapable of demonstration . In a recent effort to ...
... Globe and sharer in the most suc- cessful playing company in Europe , Shakespeare rose to the rank of gentleman by virtue of the financial successes that allowed him to buy New Place in Stratford and to win the coat of arms that his ...
... Globe audience of Julius Caesar rather than of Plutarch . Pechter , “ Ro- man Politics , " 69 , cites this and other echoes of Julius Caesar in Sejanus . 31. Anthony Dawson , " Women Beware Women and the Economy of Rape , " Studies in ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
Další části 5 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Odkazy na tuto knihu
The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |