Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... Hamlet's attempts to prescribe interpretation , the onstage audience's understanding of Gonzago remains divided . In Hamlet's eyes - it is true - the play has held the mirror up and has shown Claudius the image of his crime ; that is ...
... Hamlet's " inky cloak " is a disguise rather than a reliable indicator of grief , then Hamlet would appear as a mere liar whose true thoughts could in principle be discovered . Jonsonian subjec- tivity rewrites Hamlet's unrepresentable ...
... Hamlet had that in it " to please the wiser sort " ; quoted in Harold Jenkins , " Hamlet ' Then Till Now , " Shakespeare Survey 18 ( 1965 ) : 35 . 19. See Rebecca W. Bushnell , Tragedies of Tyrants : Political Thought and Theater in the ...
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The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |