Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... Henry IV , ” Green- blatt writes , " where the lies and the self - serving sentiments are ut- terly inescapable , where the illegitimacy of legitimate authority is repeatedly demonstrated . . . even here the audience does not leave the ...
... Henry is jokingly guar- anteed on the strength of a villainous trick of his eye and a hanging of his nether lip that are said to be just like his father's ( 1 Henry IV , 2.4.404-405 ) . Even the future Queen Elizabeth is said to ...
... Henry IV , 140 ; Henry V , 144 ; Henry VIII , 140 ; Julius Caesar , 93 , 117–18 ; Measure for Measure , 65-67 , 76-83 , 183 n.17 ; A Midsummer Night's Dream , 13 , 65 , 67 , 69-75 , 78 , 140 ; The Murder of Gonzago , 10 , 107 ; Othello ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |