Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... Lord Robert Dudley asking his colleague , the Earl of Shrewsbury to endorse Dud- ley's players ' license to tour , assuring him that the players are well- behaved and politically innocuous : I have thought among the rest by my letters ...
... lord shall never rest , I'll watch him tame , and talk him out of patience ; His bed shall seem a school , his board a shrift , I'll intermingle every thing he does With Cassio's suit . Therefore be merry , Cassio , For thy solicitor ...
... lords of the symbolic kind . But since wealth in a knowledge marketplace is measured in language and in forms of sym- bolic self ... Lord ) unexamined , or unheard , committed to a vile prison . . . . The cause ( would I 46 Chapter 3.
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |