Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... actions . In this connection , success in action depends upon the truth of the judgments that enter into the plan of action ; via the criterion of success in action , power remains dependent on truth . Foucault abruptly reverses power's ...
... action under the steady gaze of a figure of authority . Indeed , the design of the action promotes spectatorship as opposed to participation as a form of power . Characters such as Overdo and Wasp become spectacles as soon as they give ...
... action ; for their action could not change anything in the eternal na- ture of things ... true knowledge , an insight into the horrible truth , outweighs any motive for action , both in Hamlet and in the Dio- nysian man . " 5 So ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |