Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 232 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... allowed , by such discreet person or persons as shall be by the Lord Mayor thereunto appointed , and taking bonds of the said housekeepers not to suffer the same plays to be in the time of divine service . ( Chambers , 4 : 269 ) ...
... allowed Mea- sure to represent theater as the place of private conversional work rather than as the gathering place of the mirth of political reconcili- ation . If theater must be seen to be doing some good in order for playwriting to ...
... allowed the Elizabethan Shakespeare to represent theater as able to recuperate patriarchy through the transformation of Kate in The Taming of the Shrew . In contrast with Kate's volubility at the end of her play , Isa- bella's silence ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |