Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... audience toward any particular political viewpoint . The commercial theater of around 1600 was similarly powerless to influence its audience toward one view or another of the political issues of the time . As we will see , its ...
... audience sometimes had unforeseen consequences , especially in view of the audience's habitual allegorizing , which had allowed the development of these " pseudo - allegories " in the first place . Shakespeare's Rich- ard II , to cite a ...
... audience , but force into view the commercial exchanges and material conditions of production that are effaced in Shakespeare's play . Where The Tempest's performers are spirits and its shows are be- stowed freely by a mage , the ballad ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |