Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical ValueUniversity of Pennsylvania Press, Incorporated, 29. 5. 1997 - Počet stran: 210 To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. |
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... court . Their court patrons and the Queen's Privy Council provided the protection from harassment and prosecution that the players required in order to tour the provinces and to perform in and around London . Such high - ranking support ...
... court . The city's opposition to the drama was a signifi- cant factor in the development of the theater during the last quarter of the century . The Lord Mayors ' letters to the Privy Council during that period ( especially during the ...
... court had appropriated the official supervision of the drama ; furthermore , in 1603 court supervision was consolidated by transferring the acting companies to direct royal patronage - cre- ating the King's , Queen's , and Prince's ...
Obsah
The Powerless Theater | 1 |
The Knowledge Marketplace | 64 |
Instituting Mirth in Renaissance Comedy | 71 |
Autorská práva | |
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |